This category contains our range of Gloves, Fingerless or Hobo Gloves, Gauntlets, Armwarmers, Corset Style Wrist Covers, and Cuffs. The styles vary and are very versatile encompassing High Fashion, Track or Racing Fashion, Mardi Gras, Costumes, Gothic, Vampire, Loli (lolita), Harajuku, Boho, Bridal or Wedding, Steampunk, Punk, Burlesque and Pinup or Showgirl, Flapper and even Adult Themed BDSM and Fetish
- If a product states it is able to be ordered yet shows out of stock, please ask us how long before new stock arrives, as these items DO move quickly. We can hold backorder items for you if you contact us in time. We do reserve a nominal amount to offer in our store, so backordering is also limited by this.
- We source most items in this category from two Studios in particular, although from time to time there will be other one offs as well. Most items are possible to be ordered however not guaranteed as these Studios do short runs and one off items. Custom orders are usually welcomed.
- Educate yourself on buying items in this category by reading the wiki articles provided at the bottom of the page. This information may prove invaluable!
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What Wiki Has to say About Gloves, Cuffs, Armwarmers and Harajuku....
A glove (Middle English from Old English glof) is a garment covering the hand. Gloves have separate sheaths or openings for each finger and the thumb; if there is an opening but no covering sheath for each finger they are called "fingerless gloves". Fingerless gloves with one large opening rather than individual openings for each finger are sometimes called gauntlets. Gloves which cover the entire hand or fist but do not have separate finger openings or sheaths are called mittens.
Gloves are made of materials including cloth, knitted or felted wool, leather, rubber, latex, neoprene, and metal (as in mail). Gloves of kevlar protect the wearer from cuts. Gloves and gauntlets are integral components of pressure suits and spacesuits such as the Apollo/Skylab A7L which went to the moon. Spacesuit gloves combine toughness and environmental protection with a degree of sensitivity and flexibility.
Expensive women's fashion gloves are made in France, Canada and other countries. For cheaper male gloves New York State, especially Gloversville, New York is a center of glove manufacturing. More and more glove manufacturing is being done in East Asia, however.
Styles of Gloves
Ladies' evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow.Western lady's gloves for formal and semi-formal wear come in three lengths: wrist ("matinee"), elbow, and opera or full-length (over the elbow, reaching to the biceps). Some expensive gloves are made of kid leather, also known as kidskin. Many other types of leather, most usually soft varieties of cowhide, are used in making full-length gloves; patent leather and suede are especially popular as alternatives to kidskin, and are often more affordable than kidskin. Latex or rubber opera gloves, most often used in latex and PVC fetishism, are also available. Satin and stretch satin are popular and mass-produced. Some women wear gloves as part of "dressy" outfits, such as for church and weddings. Long white gloves are common accessories for teenage girls attending formal events such as prom, cotillion, or formal ceremonies at church such as confirmation.
Gloves of above-the-elbow length have been worn since at least the late 18th century, and gloves reaching to or just below the elbow have been worn by women in Western countries since the 17th century (there is an engraving of England's Queen Mary dating from the 1690s in which she is shown wearing elbow-length gloves). Over-the-elbow gloves were first widely popular during the Regency/Napoleonic period (circa 1800–1825), and waned in popularity during the early and mid-Victorian periods (circa 1830–1870), but enjoyed their greatest vogue in the last two decades of the 19th century and the years of the 20th century prior to the start of World War I. During that period, they were standard for both daytime and evening wear with most types of outfits—even some swimming outfits of the period were accessorized with opera gloves. Etiquette of that period considered gloves to be mandatory accessories for both men and women of the upper classes, so it was fairly uncommon during that era to see a well-dressed woman at a public occasion who was not wearing gloves of some sort. According to several fashion historians, over-the-elbow gloves were popularized, or more accurately re-popularized, during the late 19th century by the renowned actresses Sarah Bernhardt in France (who liked wearing long gloves to disguise what she considered her overly thin arms) and Lillian Russell in the United States.
The opera glove has enjoyed varying popularity in the decades since World War I, being most prevalent as a fashion accessory in the 1940s through the early 1960s (long gloves were an important accessory of Christian Dior's "New Look" designs), but continues to this day to be popular with women who want to add a particularly elegant touch to their formal outfits, and have enjoyed minor revivals in fashion design on several occasions in recent years (they were very prominent, for example, in haute couture collections for the fall/winter 2007 season). Opera gloves continue to be popular accessories for bridal, prom, and debutante gowns and at very formal ballroom dances (to this day, for example, it is mandatory for female participants at the Vienna Opera Ball to wear white opera gloves) and are often worn by entertainers such as can-can dancers and burlesque performers (particularly to perform a gown-and-glove dance). In popular culture, probably the two best-known images incorporating opera gloves are those of Rita Hayworth in "Gilda" (1946) and Marilyn Monroe in Gentlemen Prefer Blondes (1953). (Actress Audrey Hepburn was also known for glove-wearing on- and off-screen, but the style of glove she popularized is a type of coat-sleeve-length or three-quarters-length glove, rather than true opera-length.)
The best-known type of opera glove, the mousquetaire, is given this name due to the wrist-level opening (most commonly three inches long) which is closed by three (usually) buttons or snap closures, most frequently made of pearl or some lookalike material. The mousquetaire is originally derived from the gauntlets worn by French musketeers of the 16th and 17th centuries, although, tongue-in-cheek, according to Ambrose Bierce in The Devil's Dictionary, 1911:
“Mousquetaire, n. A long glove covering a part of the arm. Worn in New Jersey. But "mousquetaire" is a mighty poor way to spell muskeeter.”
Mousquetaire gloves have buttons at the wrist so the wearer could open the buttons and slip her hand out without taking the whole glove off. The finger section would be folded in and kept away tidily. This is how ladies wore gloves while dining. After the meal they would put their hands back into the gloves, usually for the rest of the evening. During the 19th century, especially from the mid-Victorian era onwards, gloves were tailored so as to fit very tightly onto the hands and arms—so tightly, in fact, that it was often necessary to use aids such as talcum powder and buttonhooks to put on one's gloves; therefore, it was considered somewhat uncouth to put on or remove one's gloves completely in public and women would make sure to don their gloves in the privacy of their homes before going out to some event (another reason for the popularity of the mousquetaire opening). The mousquetaire opening/fastening for women's long gloves seems to have become most popular during the Victorian era; during the Napoleonic/Regency period, women's long gloves were often tailored to fit loosely on the wearer's arm, and were often worn gathered below the elbow or held up on the biceps with a garter-like strap. (In the 2005 film version of Pride and Prejudice, Rosamund Pike and several other actresses wear opera-length gloves with drawstring ties at the top of the glove, but this might not be an accurate representation of the style of long gloves in the Regency era; fashion plates from the period do not appear to show gloves with drawstring-type ties, but do often show women wearing gloves held up by garterlike straps or ribbons.)
In the period of the 1930s through early 1960s, the evening glove was adapted for wear with certain high end lounging and sleeping outfits, Peignoir sets. Such gloves were typically made out of the same lightweight sheer nylon, rayon, or silk as of the lingerie set in a matching or complimentary color and always of above elbow length. These gloves were introduced to bring the fashion for covered hands into the bedroom, protect skin during sleep and leisure time, and provide modesty for women during times of travel, visitation, or shared accommodation. While never widespread, these sleeping gloves were a desired component of the most expensive bedroom ensembles. Given the prevalence of gloves in mid-20th century women's fashion, a woman who added sleeping gloves to her wardrobe would have been gloved virtually at all times.
DEFINITION OF OPERA GLOVES IN THE CONTEXT OF LENGTH| A BUYERS GUIDE
The length of ladies' evening gloves are referred to in terms of "buttons", whether they in fact have buttons or not. The word is derived from French, and the exact measure is actually a bit longer than one inch. Wrist length gloves are usually eight-button, those at the elbow are 16, mid-biceps are 22 and full shoulder length are 30. Opera gloves are between 16 and 22 inches long, though some gloves can be as long as 29 or 30 inches. To fit oneself for gloves, measure all around the hand at the widest part of the palm where the knuckles are, but excluding the thumb. The measurement in inches is the glove size, but if one's arms are large, it may be practical to go up a size. Generally, an evening glove is considered to be a true "opera-length" glove if it reaches to mid-biceps or higher on the wearer's arm, notwithstanding its actual length in inches or buttons; therefore, a petite woman might find a glove with a measurement of 16 or 17 inches adequate for the purpose, while a tall woman might need a glove longer than 22 inches. A glove shorter than elbow-length should not be referred to as an "opera-length glove" or "opera glove" under any circumstances.
Latex and Fetish In Japan, ladies wear long gloves all day in summer, to protect the ideal irojiro (色白?), or fair skin, which represents beauty, grace, and high social status (as well as purity and divinity in local religions), thus many Japanese ladies avoid any form of tanning. Eternal Sailor Moon's gloves are opera length. As latex and PVC fetishism is also very common in Japan, latex is commonly worn in Japan. In Germany, Latex and PVC fetishism is very common; thus, many women and even men wear latex opera gloves in Germany. Susan Wayland is one of many latex fetish models, often wearing latex.
Fingerless gloves or "glovelettes" are garments worn on the hands which resemble regular gloves in most ways, except that the finger columns are half-length and opened, allowing the top-half of the wearer's fingers to be shown.
These type of gloves can also be known as "hobo gloves" or "bum-gloves" due to their popularity among Hollywood stereotypical homeless people.[citation needed]
Fingerless gloves are often padded in the palm area, to provide protection to the hand, and the exposed fingers do not interfere with sensation or gripping. In contrast to traditional gloves, often worn for warmth, fingerless gloves will often have a ventilated back to allow the hands to cool; this is commonly seen in weightlifting gloves.
Fingerless gloves are also worn by bikers as a means to better grip the handlebars, as well as by skateboarders and rollerbladers, to protect the palms of the hands and add grip in the event of a fall. Some anglers, particularly fly fishermen, favour fingerless gloves to allow manipulation of line and tackle in cooler conditions.
Fingerless gloves are usually leather and have a distinct appearance. Much like rocker jackets, they are sometimes worn by people who wish to display a certain sense of rebellion, recklessness, "toughness" or general disregard for the standards of society (such as John Bender in The Breakfast Club). This is why they are quite common in heavy metal and punk fashion, for example Billy Idol, and are sometimes decorated with metal studs or spikes. Some non-conformist individuals, notably Michael Jackson, would wear a single glove on one hand leaving the other hand glove-less.
A woolen variety became popular in the early 1980s, largely due to the example of English pop star Nik Kershaw.
Arm warmers (or arm socks) are knitted 'sleeves' worn on the arms. Usually worn by dancers to warm up their bodies before class, they have also become somewhat of a fashion item, appearing in the fall. These arm warmers are virtually identical in fabric and style as those worn by dancers.
Arm warmers can also describe any glove-like articles of clothing that lack finger coverings and/or were originally designed to keep wrists and lower arms warm. Today, many competition and sport bicyclists as well as distance runners/marathoners wear spandex-compression arm-warmers.
Various sub-cultures, such as the punk, emo and goth subcultures, have also adopted arm warmers as a fashion statement. Stores such as Hot Topic sell arm warmers with chains and designs of skulls, piano keys, band logos, and other alternative inspired designs.
Recently (in mid-late 2000), cyclists have adopted them for use in cold weather. For the 2010 FIFA World Cup, arm warmers featuring the participating national teams became a phenomenon in the host country South Africa and abroad.
Harajuku (原宿 "meadow lodging") is the common name for the area around Harajuku Station on the Yamanote Line in the Shibuya ward of Tokyo, Japan.
Every Sunday, young people dressed in a variety of styles including gothic lolita, visual kei, and decora, as well as cosplayers spend the day in Harajuku socializing. The fashion styles of these youths rarely conform to one particular style and are usually a mesh of many. Most young people gather on Jingu Bridge, which is a pedestrian bridge that connects Harajuku to the neighboring Meiji Shrine area.
Harajuku is also a fashion capital of the world, renowned for its unique street fashion. Harajuku street style is promoted in Japanese and international publications such as Kera, Tune, Gothic & Lolita Bible and Fruits. Many prominent designers and fashion ideas have sprung from Harajuku and incorporated themselves into other fashions throughout the world.
Harajuku is an area between Shinjuku and Shibuya. Local landmarks include the headquarters of NHK, Meiji Shrine, and Yoyogi Park.
The area has two main shopping streets, Omotesandō and Takeshita Street (Takeshita-dōri). The latter caters to youth fashions and has many small stores selling Gothic Lolita, visual kei, rockabilly, hip-hop, and punk outfits, in addition to fast food outlets and so forth. Harajuku as it is now traces its roots to the end of World War II. U.S. soldiers and their families began to occupy the area known as Harajuku. It became an area where curious young people flocked to experience a different culture.
In 1958, Central Apartments were built in the area and were quickly occupied by fashion designers, models, and photographers. In 1964, when the Summer Olympics came to Tokyo the Harajuku area was further developed, and the idea of “Harajuku” slowly began to take a more concrete shape.
After the Olympics the young people who hung out in the area, frequently referred to as the Harajuku-zoku, or the Harajuku tribe, began to develop a distinct culture and style unique to different groups and the area. From this distinct style grew the culture of Harajuku as a gathering ground for youths and as a fashion mecca.


Styles of Harajuku
The term "Harajuku Girls" has been used by English-language media to describe teenagers dressed in any fashion style who are in the area of Harajuku. This fashion infuses multiple looks and styles to create a unique form of dress. The cyber-punk look takes its influence from gothic fashion and incorporates neon and metallic colors. However, it isn't as popular as it was in the 1990s.
Punk style in Harajuku is more of a fashion than a statement. Its fashion mainly consists of dark colors, plaid, chains, and zippers. Punk style is also one of the more gender-neutral fashions in Harajuku.
Ganguro is a style that symbolizes the average American teenager. The term translates to ‘black-faced’. The basic look is what Westerners would call a ‘California girl’, with bleached hair, dark skin, fake eyelashes and nails. No one really is sure how Ganguro came to be. Many assume it originated in the early 1990s, when singer and performer Janet Jackson was popular.
Cosplay is more of a costume-based style. A cosplay enthusiast will usually dress as a fictional or iconic character from a band, game, movie, anime, or manga.
Ura-Hara is another section of Harajuku, which caters to a mostly male population interested in a hip-hop, graffiti, and skater fashion and culture. Ura-Hara is seen as the opposite of Harajuku in that it’s more hidden and reserved.
In addition to Harajuku is its counterpart, known as Visual Kei. This refers to the style of bands and their fanbase. The term Visual Kei literally means a ‘visual style of music’. The melodies of the music these bands perform often resemble eighties rock, heavy metal, or techno; in some cases, the sound is a good mix of the three. The fashion began in the 1980s, when American metal bands were popular. Japanese fans loved how their idols would dress frantically and paint makeup wildly on their faces, so they began to emulate their style. This mimicking is also known is costume play, or cosplay.


Gwen Stefani’s ‘Harajuku Girls’
The Harajuku Girls are four young Japanese and Japanese American back up dancers featured in stage shows and music videos for Gwen Stefani during her solo pop/dance-record phase. The women also act as an entourage at Stefani's public appearances.
The Harajuku Girls are Maya Chino ("Love"), Jenifer Kita ("Angel"), Rino Nakasone-Razalan ("Music") and Mayuko Kitayama ("Baby"). The name of the group is a reference to Harajuku, a neighborhood of Tokyo. The stage names of the women are derived from Stefani's Love. Angel. Music. Baby. brand.
Asian-American entertainer Margaret Cho launched criticism of Stefani and the group for reinforcing negative stereotypes of Asian women. Nakasone-Razalan has responded that Stefani was inspired by the Japanese fashion culture and felt honored to have been in the group.
The Harajuku Girls were originally hired in 2004 as backup dancers for Gwen Stefani's Love. Angel. Music. Baby. album. The "Harajuku Girls" continued to appear alongside Stefani, and were featured in the music videos for "What You Waiting For?", "Rich Girl", "Hollaback Girl", "Luxurious", "Crash", "Wind It Up", "The Sweet Escape", and "Now That You Got It". Gwen appeared on Friday Night with Jonathan Ross, and introduced the dancers as her "imaginary friends".
The Harajuku Girls are:
Maya Chino (stage name "Love") grew up in Tokyo. She started out doing ballet when she was three years old and also tap danced. Before dancing with Gwen Stefani, she was a backup dancer for South Korean singer BoA. She is now living in LA, and teaching Hip Hop lessons to kids at an academy called HoriPro Music Academy. Also one of the Head Instructor/Choreographer for HMA's HIPHOP Team "RIZE". (see top picture below) (bottom picture features all four Hajuku Girls performing on the ‘Harajuku Lovers Tour 2005.
Jennifer Kita (stage name "Angel/Lil Angel"), born 1978, is a Japanese-American from Torrance, California. After graduating from South High School, Jennifer moved to San Diego and studied hip-hop at Mesa College. She later joined the dance troupe Culture Shock San Diego, where she performed for two years, then joined the hip hop entertainment company Urban FX, where she danced for a year. Even though it is not yet properly confirmed, they say that Jennifer Kita's stage name of "Angel" may have changed to "Lil Angel" after Stefani mentioned "Lil Angel" in the new Harajuku Lovers Fragrance advert.
Rino Nakasone Razalan (stage name "Music"), born June 11, 1979, grew up in Okinawa. She became interested in dance after watching music videos by Michael Jackson and Janet Jackson and mimicking their moves. At the age of nineteen, she went to Los Angeles to study dance. She later taught dance at a performing arts centers, and joined an all-female dance group "Beat Freaks", which competed and was runner-up in America's Best Dance Crew. She most recently appeared in the new dance multimedia production "Siren Assassins" as Queen Jade. She is married to Lee-J Razalan. She is now part of girl-band The Pussycat Dolls. She is the choreographer for famous Korean boy band SHINee with their debut song, "Noona is so Pretty/Replay" and various others including "Love Like Oxygen", "Juliette" and most recently parts of "Lucifer", as well as choreographing Girls' Generation's Genie and Oh!, Super Junior's No Other, and f(x)'s Chu~♥ and NU ABO.
Mayuko Kitayama (stage name "Baby"), born February 14, 1984, grew up in Osaka. She eventually moved to New York, where she practiced in several dancing studios, after dancing in Japan for several years. During 2004, she appeared as one of the back up dancers for Britney Spears's Onyx Hotel tour.


